MK:
Making Movies was closer to what I like to do. On that record I was determined I would not be immobilized by anything. I was going on, to do what I knew I could do. I just kept on working. I decided against being waylaid, to be a survivor instead of casualty. That break gave me the time to consider all that had happened and to express it in terms of music. Retrospect's a really good thing. Time to think and write it down. Some of those songs were written during a period of turbulence. I wasn't felling good or collected when I wrote "Solid Rock"; I deliberately wrote and recorded that and "Expresso Love" fast. I took more time to record "Romeo and Juliet" because it took more time to write and demanded special attention.
To crystallize: If you can turn negative energy into positive, turn a dire straits situation, excuse the term, into one that is positive, you're not going to go under, you're creating. Like someone who could write a book in prison. The songs are linked in that sense. It wasn't conscious, but I see the Sultans, Les Bouys, the roller skate girl, and Romeo all change disadvantage into advantage. Rather than leave it thay make something with it. I'm not advocating adverse circumstanses, but if they come you have to create from it.